When it comes to album sales in 2016, you can forget Beyoncé, Rag’n’Bone Man and Justin Bieber. Last year belonged to Ball and Boe.
As you might expect, chatting with John Barrowman is a cheeky and gossipy encounter. His tales are peppered with one-liners about threesomes with The Krankies and being the best ‘Dick’ in the business. With his larger-than-life personality, what is sometimes overlooked is his astonishing CV.
“The gigs were so rough that I had to come out kicking everyone in the face.” So says Jenny Eclair of her early gigs. As a student in the 1990s, I worked at the Edinburgh Fringe Festival and was able to see many of today’s big comedy names begin to make headway, including Jo Brand, Jack Dee and Eclair. In 1995 she was the first woman to win the festival’s Perrier Award. Her act was full-on and took no prisoners.
It’s 1973. Industrial action has plunged the UK into darkness and things are pretty gloomy (except for this pre-teen excitedly reading comics by candlelight). But there is one shining light: glam rock.
Bright, brash bands like Slade, Sweet and Wizzard injected some much-needed cheer into the 1970s with their multi-coloured jumpsuits, platform shoes and glittery eye shadow, all on public display thanks to Top of The Pops
Bucks Fizz will forever be remembered as UK Eurovision winners. A plucky quartet, put together for the 1981 contest, bopping their way to victory with the chart-topping Making Your Mind Up.
But the story didn’t end there: the band went on to amass 13 top 40 hits and record sales of more than 15 million. Nevertheless, it wasn’t all plain sailing for the perky popstars.
Look away now if you don’t want to feel old: it’s been 30 years since the recording of power-pop anthem Heaven Is A Place On Earth.
I bet you’re humming it in your head now. And it was this record that propelled former lead singer of The Go-Go’s, Belinda Carlisle to solo superstardom
Toyah Willcox will always be associated with early 80s pop, punk and new romanticism – and that’s no bad thing.
With her flaming sunset hair, rebellious lyrics and tribal synths, she is unforgettable.
“Britain has become Royston Vasey and we’ve never had any credit for it.” So says Mark Gatiss, the actor, screenwriter, comedian and novelist whose CV includes Doctor Who, Sherlock and, of course, The League Of Gentlemen…
He’s oop North to appear in a touring production of Matt Crawley’s The Boys In The Band.
She’s preparing a new album and tour for the New Year. She’s released a festive single with thrash metal band Lawnmower Deth. She’s playing a yuletide show at Manchester’s O2 Ritz with Toyah and Carol (T’Pau) Decker. She’s probably already got her sprouts on and iced her Christmas cake for the big day.
In short, Kim Wilde is a busy woman. But she did manage to stop for a nanosecond to tell Northern Soul about musical role models, going viral and looking forward to 2018.
Christmas can always be relied upon to throw up musical mishaps. Each year we endure the murder of pop classics for TV adverts as well as the dismal output of so-called celebrities who’ve no business stepping foot in a recording studio, let alone bringing out an album (yes, Nick Knowles, I mean you).
Writer and comedian Adam Kay has taken inspiration from such festive frights and created the show Smutty Christmas Songs.
Margaret Cho is one of America’s most provocative stand-up comics. Never afraid to cover red button issues, her routines feature addiction, abuse, activism, Asian-ness… and that’s just the A’s. “Rolling Stone” magazine named her one of their 50 best stand-up comics of all time and last year, Cho made headlines when she expressed her irritation at non-Asian actors playing Asian roles.
He promises poems about “death, human frailty and other classic conversation stoppers”.
As pitches go for a literature event hoping to put bums on seats, it’s not your run of the mill promotion. But Henry Normal isn’t your conventional fella.
Some surnames are instantly recognisable in the showbiz world.
Jackson, Sinatra, McCartney and, of course, the family dynasty that is Osmond.
Name a female singer-songwriter from the past couple of decades. Easy isn’t it? Adele, Amy Winehouse, Duffy, Dido, Ellie Goulding, Paloma Faith, Emili Sande, Taylor Swift, Jessie J. The list goes on. But it was a very different story back in the 60s and 70s. Making your own music was almost exclusively a man’s world. Only a few determined, talented women managed to break through, and none more so than Carole King.
Earlier this year, BBC1 launched “Let It Shine”, a nationwide search for five singers to form a group for new theatre show “The Band”, based around the music of Take That. After singing and dancing on Saturday night TV for judges including Gary Barlow, five men triumphed including Leeds singer/songwriter Curtis T Johns
If there was an award for never giving up, Darius Campbell would surely win it. After THAT TV audition in 2001 on “Pop Stars” trying to make it into pop group Here’Say, the plucky Scot picked himself up, paid a trip to the barbers and, undaunted by his first experience, auditioned for the first “Pop Idol”. He came a creditable third.
The 1970s brought us space hoppers, lava lamps and boob tubes. The 60s had swung, allowing the next generation of teenagers to discover the world.
But where did they go for the issues that mattered to them?
It isn’t easy to get a novel published, let alone read by the public. But when it finally happened for Lancashire-based writer Andrew Michael Hurley, it was well worth the wait.
Songs and artists come into your life in all kinds of ways. Ten years ago, I won a radio phone-in competition and received ten CDs. Most were dreadful and bound for the charity shop. As I listened to the last album I stumbled upon a sublimely gorgeous song called Tomorrow in Her Eyes. The singer and writer was Ron Sexsmith and a new musical connection was made.
She was ‘Loose’ for 14 years, recently rejuvenated Mrs Slocombe and her Temple Savage struts round the Solana as the queen bee of Benidorm.
There’s no one better qualified to play the Genie of the Ring in Manchester’s big pantomime ‘Aladdin’ than Sherrie Hewson.
Kate McCabe has been building a name for herself on the comedy circuit with stand up spots and improv shows and this Saturday she performs her first ever 50 minute piece ‘Stuff & Nonsense’ at the Manchester Women Of Comedy Festival.
She had a massive pop hit in the swinging sixties thanks to Dusty Springfield. She appeared in two “Carry On” movies. She worked with showbiz legends such as Eric & Ernie and Tommy Cooper in the golden TV age of the 1970’s. She had her own kids telly show (“Anita In Jumbleland”). She was even a figure skater!
It used to be the case that soap stars were pretty well pigeon holed. You could be a big name in Walford or Weatherfield but step outside the Square or the Street and work could be hard to come by as the public and casting directors struggled to accept a TV favourite in a different guise.
Best known for playing love starved Gladys Pugh in TV comedy classic ‘Hi Di Hi’, Ruth along with Ray Quinn and Jon Robbins brings ‘The Wedding Singer’ musical to Manchester.
From September ’til Christmas, ‘Strictly Come Dancing’ becomes unmissable Saturday night TV as celebs sweat, shimmy and salsa under the patient gaze and tuition of professional dancers.
The pros don’t hibernate while the show is off the air however. Current glitter ball winner Joanne Clifton has been on tour playing the lead in the musical ‘Thoroughly Modern Millie’, now heading to Manchester’s Palace Theatre.
The Flatley of Fallowfield ‘Riverdance’ and its many related shows has been a theatrical phenomenon for over 20 years. Michael Flately’s creations constantly tour the world to packed houses. This week, the latest show ‘Dangerous Games’ comes to Manchester and performing the lead role of The Lord is the city’s very own James Keegan
Big. That’s the only word to describe anything Jim Steinman-related. It’s no surprise then that the much anticipated ‘Bat Out Of Hell’ musical continues that tradition – big songs, big set, big show.
Right in the eye of this musical storm is Andrew Polec prowling round the stage as lead character Strat.
Do you remember the 80s? The merging of technology and music, bands performing behind a mountain of gadgets and gizmos? Of course you do. And that means you remember Howard Jones.